VINTAGE POSTERS

VINTAGE POSTERS

Capiello "Katabexiene"

Capiello "Katabexiene"

Leonetto Cappiello "Katabexine" Lithograph in color, linen backed, c. 1903 Sheet size: 54 1/4" x 39" Cap/GP, 252, Cap/StV, 4.22, DFP-II, 118, Schardt, pp. 174-5, PAI-VII, 63 Stamp: Republique Francais, lower center Stamp: Lyon, upper center Vercasson, Paris Colors Fresh REF. #1818 $26,500

Gros "Fete de Charite des Etudiantes

Gros "Fete de Charite des Etudiantes

Eugene Gros "Fete de Charite des Etudiantes" Lithograph in color, linen backed, c. 1910 Signed in stone, lower right Sheet Size: 49" x 33" Paris, Imprimerie Frossand - Courbet & Cie REF. #1782 $3,950

Anonymous "Royal Sport Quina"

Anonymous "Royal Sport Quina"

Anonymous "Le Royal Sport Quina" Lithograph in color, linen backed, c. 1901 Sheet size: 55" x 39" Paris, Impremerie Die Royal Sport REF. #1785 $5,500

Pal "Rudge Cycles"

Pal "Rudge Cycles"

Jean De (Pal) Paleologue "Rudge Cycles" lithograph in color, linen backed, c. 1898 Sheet size: 56 3/4" x 41 3/4" Imprimerie Paul Dupont, Paris Stamp: Republique Francais, lower left Colors fresh REF. #1819 $26,500

Pal "Imprimez Eyquem"

Pal "Imprimez Eyquem"

Jean De (Pal) Paleologue "Imprimez Vous Meme" Lithograph in color, linen backed, c.1898 Sheet size: 53 1/2" x 38 1/2" Caby & Chardin Imprimeurs, Paris Colors fresh REF. #1823 $12,500

Cazals "7th Exposition du Salon"

Cazals "7th Exposition du Salon"

Frederic-Auguste Cazals "Salon des Cent" Original lithograph, c. 1894 Signed in stone, lower left "F.A. Cazals, 94" Printed by Bourgerie & Ice, Paris Image Size: 24.5" x 17.75" REF. #1513 $12,500

Anonymous "Le Fetiche"

Anonymous "Le Fetiche"

Anonymous "Le Fetiche" Lithograph is color, linen backed, c. 1894 Sheet Size: 32 3/4" x 25 1/2" Paris, Impremerie F. Appel REF. #1799 $2,250

Gray "Mam'zelle Boyscout Theatre"

Gray "Mam'zelle Boyscout Theatre"

Henri Gray "Mam'zelle Boy-Scout Theatre de la Renaissance" French Opera Posters 1868 - 1930, Broido 29 Lithography in color, linen-backed, c. 1915 Signed in stone, lower left Sheet Size: 35 3/4" x 26 1/2" Paris, E. Delanchy & Fils REF. #1796 $2,450

Muller "Peacocks"

Muller "Peacocks"

Alfredo Muller "Peacocks" Lithograph in color, c.1901 Reference: Phillips VII, 128A Signed in stone "Muller" Sheet size: 22 3/4" x 58 1/4" REF. #1834

Berthon "Source des Roches"

Berthon "Source des Roches"

Paul Emile Berthon "Source des Roches" Lithograph in colors, before letters Reference: Berthon & Grasset, Arwas. #10 From the edition of 200 printed on cream wove paper Sheet size: 14.56" x 17.7" REF.#1948 $7,500

Poulbot "Aristide Bruant"

Poulbot "Aristide Bruant"

Vintage Posters, as collectibles, carry a certain cachet, as rescued fragments of a lost past. Original authentic vintage European poster advertising has come to be recognized as a highly collectible form of art, whether for pleasure or for investment purposes. World-renowned museums exhibit vintage posters and many have permanent collections. Magnificent examples of such vintage poster collections can be found at the Louvre in Paris, the Metropolitan Museum of Art and the Museum of Modern, in New York, and the Library of Congress in Washington, D.C.

Advertising agencies of that era would commission, or accept from free-lance artists, an original painting, referred to as a "maquette." This original piece was usually delivered in the form of a "gouache" or watercolor. If the “maquette” was accepted by the agency, the artwork would be recreated on a soft Bavarian limestone surface. This lithographic printing process involved as many as 17 individual color applications, which had to be applied to each individual paper one color at a time. Each new color application required that the limestone surface be washed repeatedly during the application of that individual color. When a new color was introduced, likewise a new stone was introduced, which was designed to accept the placement of the new color. Cross like markings, usually found at the top and bottom of the poster are the printer's registration marks, placed there for the purpose of keeping the color applications in their appropriate places when a new stone was introduced. A press was used to adhere the colored ink on the limestone, onto the paper. Over 65 yrs. of use of this lithographic process have been documented for vintage posters.

When the printing was complete the finished posters were glued or tacked to walls and kiosks across their country of origin. These colorful advertisements created a festival-like atmosphere on the otherwise drab and dreary streets of Europe. 

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